Are you interested in learning how to mend broken ceramics? Our Masterclass for Issue 321 features the Japanese kintsugi repairer Iku Nishikawa. She shares the processes she uses for repairing broken ceramics using yobitsugi, incorporating the techniques of easy kintsugi (kan-i kintsugi). Click here to watch the video in full - https://youtu.be/o1TGhDtKRQg | Videography by Layton Thompson | Ceramic Review
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In this video, potter Richard Miller discusses making his hand-carved and pressed tiles with relief designs – as pictured on the front cover of Ceramic Review issue 296. Discover how Richard makes his work in the full step-by-step masterclass inside CR 296 (March/April 2019). You can order current and back issues of the magazine from ceramicreview.com. Film by Layton Thompson for Ceramic Review | Ceramic Review
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Ceramist Angela Mellor takes us step-by-step through the processes she uses to create her handbuilt bone china paperclay vessels. Learn how Angela makes her work in the full masterclass inside Ceramic Review issue 298 (July/August 2019). https://bit.ly/2ImUWDe | Ceramic Review
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'I aim to exploit bone china's inherent qualities of whiteness and translucency within my own practice.' In this video, ceramist Sasha Wardell takes us step-by-step through the mould-making process she uses to make her slip-cast bone china bowls. Learn how Sasha makes her work inside Ceramic Review issue 292, which features a full step-by-step masterclass. You can order current and back issues of the magazine from ceramicreview.com. | Ceramic Review
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'With a background in graphics and teaching, working with ceramics might have been seen as an afterthought, but in fact it has become what I think of as my first ‘proper’ career.' In this video, Adrain Bates takes us step-by-step through the processes he uses to create one of his organic Möbius Deconstructed forms Discover how Adrian makes his work in the full step-by-step masterclass inside CR 301 (January/February 2020). You can order current and back issues of the magazine from ceramicreview.
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'My strongest influences stem from the archaeological and anthropological theory I learnt at university about land use and humans’ interaction with their environment. I still refer to my text books from that time. Ultimately my work is about being present within a landscape.' In this video, Adam Buick takes us step-by-step through the processes he uses to throw one of his large Moon Jars and the technique for joining it. Discover how Adam makes his work in the full step-by-step masterclass insid
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Friday film: from our archive Ceramist Chris Keenan's masterclass video, crafted for issue 274 of Ceramic Review magazine. Find all of our masterclass films, which are released with every issue of CR, at ceramicreview.com/masterclass | Ceramic Review
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