People mix up the two types of audio compression all the time. Dynamic range and lossy compression are very different things. Ex-movie theater projectionist Steve Guttenberg has also worked as a ...

Ex-movie theater projectionist Steve Guttenberg has also worked as a high-end audio salesman, and as a record producer. Steve reviewed audio products for CNET and worked as a freelance writer for ...

In MPEG Layer III coding the compression gain is mainly achieved through the unequal distribution of energy in the different frequency bands, the use of the psychoacoustic model, and Huffman coding.

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. MASTERING WEEK: Check out the video above to hear Conor Dalton, a mastering engineer who runs ...

An audio compressor is one of the most important parts of sound design and mixing, but it is also one of the most misunderstood and mis-used. Here Tim Dunphy unravels the mysteries surrounding the ...

Delivering seamless quality audio in real time using wireless technology is one of the great challenges facing the professional audio engineer. Wireless audio transfer has for some time been hampered ...

Wireless Audio is a current hot topic in Consumer Electronics. The world is wireless in many mediums, however high quality wireless audio has been slow to emerge. Delivering seamless quality audio in ...