Speaking to TechRadar, the Marvel movie's director gave a polite albeit direct 10-word reply to fans who've said they're less ...

It’s no secret that making movies in the Marvel Cinematic Universe costs a lot of money. These films have huge budgets, mostly because of all the CGI and special effects needed to bring comic book ...

Streaming giant Netflix is now officially in the era of generative artificial intelligence content production, representing a ...

Visual effects eat up as much as 30% to 40% of a movie’s budget, and more than $50 million on major studio films. “With those kinds of numbers, these film tax rebates, ...

Framestore reveals how it made the visual effects behind Thunderbolts*, including scenes at the vault and the big showdown ...

From sailing on a ship to Skull Island to a fight between King Kong and a T-Rex, Maverick Theater’s “King Kong” is in its ...

IATSE members unanimously voted to greenlight the deal, which includes AI language and “kill fees” for workers whose projects ...

When visual-effects ace Dennis Muren read the “Star Wars” script, he says, “”I just thought, ‘This is impossible.’” Now, those dazzling images are taken for granted.

Visual-effects companies end up losing work to international firms, or have to cut their fees. To try to compete, Rhythm & Hues opened production offices in Mumbai, Kuala Lumpur and Taiwan.

Visual Effects + Screen, which will feature panels followed by a reception, marks an expansion of Deadline’s Hollywood crafts-focused live-event series, which launched with Sound & Screen.

Visual effects supervisor Ryan Laney talks about using "human shields" to protect 23 LGBT subjects via VFX: "On a normal effects project, the goal is to fool the audience. That wasn't ours." ...