The new TV series on FX trades in the brutal simplicity and narrative economy of the "Alien"​ franchise ​for something rangier and looser.

If you're in space, and no one can hear you scream, that's probably because a certain xenomorph with acid for blood has become a wee bit predictable - which is exactly why Alien: Earth creator Noah Hawley brought some new monstrous friends along for the party.

Alien: Earth creator Noah Hawley spoke about the importance of developing new creatures for his major FX sci-fi show.

Ahead of Alien: Earth's two-episode premiere, we talked to series creator Noah Hawley and executive producer David W. Zucker.

Alien: Earth is the best new sci-fi show on TV right now, and fans of the series may have found their Andor equivalent.

From invasive eyes to a redesigned xenomorph, director Noah Hawley breaks down how the grotesque creatures of Alien: Earth were made.

In adapting "Alien" for television, writer/director Noah Hawley is looking to score another hit along the lines of his "Fargo" transformation.

The first hybrid prototype, named Wendy, marks a new dawn in the race for immortality. After Weyland-Yutani’s spaceship collides with Prodigy City, Wendy and the other hybrids encounter mysterious life forms more terrifying than anyone could have ever imagined.

In the summer of 1979, a just-turned-12 Noah Hawley fancied the idea of seeing Ridley Scott’s new film Alien at his local movie theatre in New York. His parents took him to see Alan Arkin and Peter Falk’s unpredictable comedy The In-Laws instead.

For Hawley, overlaying Peter Pan onto Alien: Earth ‘s science fiction made sense because of the idea of trapping children’s minds in immortal bodies that were created, and ruled over, by a literal boy genius. Moreover, because Barrie’s work isn’t quite as anodyne and sweet as Disney’s animated film.