When it comes to highlighting this year's exceptional sound in film, Apple's blockbuster F1 and Netflix's timely thriller A House of Dynamite definitely stand out. They also agreed that there are many ...

Supervising sound editor Don Sylvester and sound mixer David Giammarco walk us through their sound mixing process for Best Sound Editing Academy Award nominee ‘Ford v Ferrari.’ By taking a look at ...

The Sound for Film Conference kicked off with a keynote by sound designer Scott Gershwin, who addressed the potential of virtual and augmented reality. By Carolyn Giardina Tech Editor With virtual ...

This article originally appeared in TV Technology. The entire process of sound for film has always fascinated me partly because the working environment seems so extravagant compared to someone who has ...

“A Complete Unknown,” “Conclave,” “Dune: Part Two,” “The Substance” and “Wicked” are among the Association of Motion Picture Sound (AMPS) nominees. Now in its 12th year, the awards recognize ...

Replay: He was the first production sound recordist, and he was the first ever production sound mixer. Without his work, movie sound techniques as we know them might not have existed. This is a look ...

From the splashes and sprays of an ocean documentary to the action-packed thumps and thuds of a fighting video game, sounds are an integral element of any creative production. These audio elements are ...

Sound editors Erik Aadahl and Ethan Van der Ryn discuss how they designed silence — and why their work on the film was not as effortless as it might seem. By Michael Waters Silence means survival in ...

The entire process of sound for film has always fascinated me partly because the working environment seems so extravagant compared to someone who has spent the majority of their professional life ...