AOL

‘Saving Private Ryan’: How Steven Spielberg’s Handheld Techniques, Low Angles and Blood Splatters Changed Hollywood Action Sequences

Soffer explains how Spielberg and his go-to cinematographer, Janusz Kaminski, really influenced cinematography with that powerful opening. “They wanted to place the audience on the beach employing all ...

The Cinematography of ‘The Secret Agent’ Stays on the Move with ‘Visual Jazz’

Cinematographer Evgenia Alexandrova tells IndieWire about bringing documentary principles to Kleber Mendonça Filho's thriller ...
AOL

‘Saving Private Ryan’: How Steven Spielberg’s Handheld Techniques, Low Angles and Blood Splatters Changed Hollywood Action Sequences

For 23 minutes, Steven Spielberg’s “Saving Private Ryan” drops audiences into the D-Day landings at Omaha Beach. Handheld cameras and low angles follow Captain John Miller (Tom Hanks) and his squadron ...
Variety

‘Saving Private Ryan’: How Steven Spielberg’s Handheld Techniques, Low Angles and Blood Splatters Changed Hollywood Action Sequences

For 23 minutes, Steven Spielberg’s “Saving Private Ryan” drops audiences into the D-Day landings at Omaha Beach. Handheld cameras and low angles follow Captain John Miller (Tom Hanks) and his squadron ...